Portfolio > Ol' McDonnell Douglas

Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
sscreenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper, hand cut
12 x 12 inches
2011
Untitled (from the Ol' McDonnell Douglas series)
screenprint, watercolor, and fabric dye on paper
12 x 12 inches
2011

Because my parents were born to farming families and my dad and two of my brothers did military service, these are subjects with which I have a strong mediated and second-hand familiarity, but no real experience. Living in an area with entrenched agricultural and military presences, I find these subjects in my thoughts frequently and am thus confronted with this "intimate distance" on a daily basis.

In an attempt to approach this idea, this suite of monotype screenprints forces together abstracted illustrations of farm animals, remotely-controlled weapons of war, and decorative elements. I want the final images to be visually seductive and somehow conversational, but also bereft of details that suggest a depth of knowledge or an overtly politicized opinion concerning the subject matter.